主題:舞蹈

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舞蹈主題

Der Kinderreigen

舞蹈八大藝術之一,是於三度空間中以身體為語言作「心智交流」現象之人體的運動表達藝術,一般有音樂伴奏,以有節奏的動作為主要表現手段的藝術形式。它一般藉助音樂,也藉助其他的道具。舞蹈本身有多元的社會意義及作用,包括運動社交求偶祭祀禮儀等。

特色條目

Gaskell Ball
Ballroom dance, refers collectively to a set of partner dances, which originated in the Western world and are now enjoyed both socially and competitively around the globe. Its performance and entertainment aspects are also widely enjoyed on stage, in film, and on television.

While historically ballroom dance may refer to any form of formal social dancing as recreation, with the eminence of dancesport in modern times the term has become much narrower in scope, usually referring specifically to the International Standard and International Latin style dances (see dance groupings below). In the United States, two additional variations—"American Smooth" and "American Rhythm"—have also been popularized and are commonly recognized as styles of "ballroom dance".

The term "ballroom dancing" is derived from the word ball, which in turn originates from the Latin word ballare which means "to dance". In times past, ballroom dancing was "social dancing" for the privileged, leaving "folk dancing" for the lower classes. These boundaries have since become blurred, and it should be noted even in times long gone, many "ballroom" dances were really elevated folk dances.

特色圖片

Paquita pas de deux
Paquita pas de deux
提供者:Paquita pas de deux, photographed by Lambtron

In ballet, a pas de deux is a dance duet in which two dancers, typically a male and a female, perform ballet steps together. It usually has five parts, consisting of an entrée (introduction), an adagio, two variations (a solo for each dancer), and a coda (finale). The pas de deux is characteristic of classical ballet and can be found in many well-known ballets. It is often considered to be the bravura highlight of a ballet and is usually performed by a leading pair of principal dancers.

特色傳記

Photo of Emma Livry, c. 1860
Emma Livry (September 24, 1842 – July 26, 1863) was one of the last ballerinas of the Romantic ballet era, and a protégée of Marie Taglioni. She perished from burn injuries when her costume caught fire during a performance rehearsal.

Emma studied dancing while young and attended the Paris Opera School. She made her debut at age sixteen with the Paris Opera as the sylph in La Sylphide. Her talent brought her fame and she became a widely respected ballerina.

Marie Taglioni noticed her during one of her performances and immediately took a liking to the girl, becoming her mentor. Marie choreographed for Emma in the ballet Le Papillon, a piece by Jacques Offenbach that was especially created just for Emma.

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