主題:舞蹈

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舞蹈主題

Der Kinderreigen

舞蹈八大藝術之一,是於三度空間中以身體為語言作「心智交流」現象之人體的運動表達藝術,一般有音樂伴奏,以有節奏的動作為主要表現手段的藝術形式。它一般藉助音樂,也藉助其他的道具。舞蹈本身有多元的社會意義及作用,包括運動社交求偶祭祀禮儀等。

特色條目

Dancing in a juke joint outside Clarksdale, Mississippi; November 1939.
The Lindy Hop is an African American dance, based on the popular Charleston and named for Charles Lindbergh's Atlantic crossing in 1927. It evolved in New York City in the 1920s and '30s and originally evolved with the jazz music of that time. Lindy was a fusion of many dances that preceded it or were popular during its development but is mainly based on jazz, tap, breakaway and Charleston. It is frequently described as a jazz dance and is a member of the swing dance family.

Lindy Hop entered mainstream American culture in the 1930s, gaining popularity through multiple sources. Dance troupes, including the Whitey's Lindy Hoppers (also known as the Harlem Congaroos), Hot Chocolates and Big Apple Dancers exhibited the Lindy Hop. Hollywood films, such as Hellzapoppin' and A Day at the Races began featuring the Lindy Hop in dance sequences. Dance studios such as those of Arthur Murray and Irene and Vernon Castle began teaching Lindy Hop.

Social lindy hop dancing (social meaning unchoreographed) varies in each city and country, with each local scene having its own unique dance etiquette and social conventions. Generally, lindy hop is danced by a lead and follow partnership, with the lead most frequently being a man, and the follow being a woman. Social lindy hop not only involves partners dancing unchoreographed dances, but also a range of other traditions and activities. Jam circles, are a tradition dating back to the 1930s and earlier in African American vernacular dance culture, and have much in common with musical cutting contests in jazz. Malcolm X describes 'jam circles' in his autobiography as a loose circle forming around a couple or individual whose dancing was so impressive it captured the attention of dancers around them, who would stop and watch, cheering and clapping. This tradition continues in most lindy hop communities today, with other couples interrupting, joining, or replacing the original couple in the cleared 'circle'. Dancers usually leave or enter at the end of a musical phrase. Lindy Hop today is danced as a social dance, as a competitive dance, as a performance dance, and in classes, workshops, and camps.

特色圖片

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提供者:Jane Avril by Toulouse-Lautrec

The can-can (also spelled cancan, Can Can) is regarded today primarily as a music hall dance, performed by a chorus line of female dancers who wear costumes with long skirts, petticoats, and black stockings, harking back to the fashions of the 1890s. The main features of the dance are the lifting up and manipulation of the skirts, with high kicking and suggestive, provocative body movements.

特色傳記

Debbie Allen (born January 16, 1950 in Houston, Texas) is an American actress, choreographer, director, and producer. She first began receiving critical attention in 1980, when she appeared in the role of Anita in the Broadway revival of West Side Story which earned her a Drama Desk Award.

She is probably best known for her role as Lydia Grant in the hit 1982 TV series Fame. During the opening montage of each episode, Ms. Grant told her students: "You've got big dreams? You want fame? Well, fame costs. And right here is where you start paying... in sweat." Allen was also lead choreographer for the film and television series, winning two Emmy Awards and one Golden Globe Award.

She has a B.A. in classical Greek literature, speech, and theater from Howard University. She also holds honoris causa Doctors from Howard and the North Carolina School for the Arts.

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